In addition to my talk today, I'll be giving library tours tomorrow. Meet in the NGA main foyer at 10:30, 12:30 or 2:30 if you're interested! #ARLISANZ2018https://t.co/dCqGHXDPNT
— Simon Underschultz (@sunderschultz) October 4, 2018
I think everyone needed a coffee/tea to get started - in the foreground of the picture above, you can see Jin Whittington of the Art Gallery of South Australia talking to Alan Yu of M Plus Contemporary (Hong Kong), and the lady with her back to the photo is Megan Lotts of Rutgers University Libraries - a truly international group of librarians.Getting ready for Day 2 of #ARLISANZ2018 pic.twitter.com/1orBAdrbxC
— Catherine Kerrigan BA MSC DipSci GDLIM MLIM (@UberLibris) October 4, 2018
@VickiMarsh opening day 2 of #ARLISANZ2018 pic.twitter.com/q8CwYRPUgE
— Catherine Kerrigan BA MSC DipSci GDLIM MLIM (@UberLibris) October 4, 2018
Katie Russell welcomes delegates @NatGalleryAus for day 2 #ARLISANZ2018 pic.twitter.com/SOuxZTkH8G
— Arts Lib Soc Aust&NZ (@ArlisAnz) October 5, 2018
Katie was followed by Helen Ennis, who gave keynote address on artists' personal archives and unofficial documents.#ARLISANZ2018 https://t.co/2ztyCWmCmF
— Arts Lib Soc Aust&NZ (@ArlisAnz) October 5, 2018
A sad and beautiful beginning to Day 2 of #arlisanz2018 Helen Ennis talks about Margaret Michaelis and photography... Read the book! https://t.co/fHdniMErrA pic.twitter.com/BMsR5omktu
— Romany Manuell (@Rombloggy) October 4, 2018
Helen Ennis talks as a practitioner about the value of personal archives #ARLISANZ2018
— Catherine Kerrigan BA MSC DipSci GDLIM MLIM (@UberLibris) October 4, 2018
Helen Ennis keynote day 2 @NatGalleryAus #ARLISANZ2018 pic.twitter.com/k10rSAKAd3
— Arts Lib Soc Aust&NZ (@ArlisAnz) October 5, 2018
Helen Ennis: what items have meaning for a person's life and story? #ARLISANZ2018
— Catherine Kerrigan BA MSC DipSci GDLIM MLIM (@UberLibris) October 4, 2018
For Helen Ennis, the digitised version will never do - she needs the actual object because of the materiality #ARLISANZ2018
— Catherine Kerrigan BA MSC DipSci GDLIM MLIM (@UberLibris) October 4, 2018
Helen Ennis talking about the importance of physical qualities of collections in making creative connections. “For a researcher, the digitised version will never do. We need the real thing.” #arlisanz2018
— The Librarian Idol (@lib_idol) October 4, 2018
@lissertations to clarify - she does talk about the importance of both digitised and physical collections, but they have different qualities that are valuable to the purposes of biographical research. #arlisanz2018
— The Librarian Idol (@lib_idol) October 5, 2018
Following morning tea, Caroline McBride of the Auckland Art Gallery Toi o Tāmaki discussed art archives. In the afternoon session, Tim Jones of Christchurch Art Gallery Te Puna o Waiwhetū also spoke and I loved that they both commenced with traditional greetings in te reo Māori. Personally, I love it and feel that Australia could learn from New Zealand and how they have embraced indigenous culture. Although we acknowledge the traditional owners of the land and include an indigenous elder welcoming everyone to country, I feel we could - and should - be doing much more to incorporate indigenous culture, knowledge and understanding into everyday activities. It might help us to close the gap faster and more effectively if we did.Helen Ennis on Olive Cotton: what's left behind (the excess) gives little insight. Me: like the 1:1 map of the UK. #ARLISANZ2018
— Catherine Kerrigan BA MSC DipSci GDLIM MLIM (@UberLibris) October 5, 2018
Caroline McBride of @Auckartgal on art archives #ARLISANZ2018 pic.twitter.com/7kgVi1tQZa
— Catherine Kerrigan BA MSC DipSci GDLIM MLIM (@UberLibris) October 5, 2018
Caroline McBride @NatGalleryAus day 2 #ARLISANZ2018 pic.twitter.com/KpLRjit0w8
— Arts Lib Soc Aust&NZ (@ArlisAnz) October 5, 2018
Paper vs digital: Caroline McBride #ARLISANZ2018 pic.twitter.com/tQXx5BDMai
— Catherine Kerrigan BA MSC DipSci GDLIM MLIM (@UberLibris) October 5, 2018
@Auckartgal has 170 archival collections #ARLISANZ2018
— Catherine Kerrigan BA MSC DipSci GDLIM MLIM (@UberLibris) October 5, 2018
E H McCormick research library brings artists into their internship program - artists bring different perspectives to describing collections. #arlisanz2018
— The Librarian Idol (@lib_idol) October 5, 2018
My favourite term for the day so far: “research-informed stewardship” where we get paid to research the collections that we work with. #arlisanz2018
— The Librarian Idol (@lib_idol) October 5, 2018
Simon Underschultz was up next, showing off some of the highlights of the NGA's collection.Despite increasing engagement, there are constraints such as budget, discovery & lack of representation of minorities. Caroline McBride #ARLISANZ2018 pic.twitter.com/CNWU2gDvsp
— Catherine Kerrigan BA MSC DipSci GDLIM MLIM (@UberLibris) October 5, 2018
@sunderschultz on collection highlights from @NatGalleryAus #ARLISANZ2018 pic.twitter.com/grmOUYI7eN
— Catherine Kerrigan BA MSC DipSci GDLIM MLIM (@UberLibris) October 5, 2018
I did not know that the @NatGalleryAus Research Library maintains an Australian & International Art Obituaries index! Mental note to use it in the future... #arlisanz2018
— The Librarian Idol (@lib_idol) October 5, 2018
5000 exhibition posters at The National Gallery of Australia, AWESOME!!!!! #ARLISANZ2018 pic.twitter.com/Tom8RYXUIo
— Megan Lotts (@MCLotts) October 5, 2018
What a poster! #arlisanz2018 pic.twitter.com/nhGtf7E7zk
— The Librarian Idol (@lib_idol) October 5, 2018
Watch out #ARLISANZ2018 pic.twitter.com/ocIPm9bW5C
— Catherine Kerrigan BA MSC DipSci GDLIM MLIM (@UberLibris) October 5, 2018
”This has bread in it” #ARLISANZ2018
— Anne Rowlands (@Anne_Rowlands) October 5, 2018
Anne followed this tweet with one correcting the spelling of Morten's surname.A wild Tasmanian comet appears! #ARLISANZ2018 a female artist, and natural history artist. Mary Mortan. pic.twitter.com/ST9NgF1uJZ
— Anne Rowlands (@Anne_Rowlands) October 5, 2018
Eric Riddler was next, except that he metamorphosed into Stephen Miller because he had lost his voice.Ephemera files are useful for finding biographical information where there is often none in the other usual places - incredibly powerful, if serendipitous, when there are over a million items. #arlisanz2018
— The Librarian Idol (@lib_idol) October 5, 2018
And then it was my turn too mispell someone's name.Eric Riddler is up, albeit in a different voice, due to losing it #ARLISANZ2018
— Anne Rowlands (@Anne_Rowlands) October 5, 2018
Stevwn Miller subbing for Eric Riddler @ArtGalleryofNSW on LGBTI artists' archives #ARLISANZ2018 pic.twitter.com/1FVuplSUma
— Catherine Kerrigan BA MSC DipSci GDLIM MLIM (@UberLibris) October 5, 2018
The SBS warning #ARLISANZ2018 pic.twitter.com/QBHqOcMbmU
— Catherine Kerrigan BA MSC DipSci GDLIM MLIM (@UberLibris) October 5, 2018
You know it’s going to be a good paper when there’s a warning slide! #ARLISANZ2018 pic.twitter.com/CeQX5r4Lmt
— Megan Lotts (@MCLotts) October 5, 2018
Walking through a gallery naked isn't a new thing apparently. Though previously you might have been arrested even if you had permission! #ARLISANZ2018
— Anne Rowlands (@Anne_Rowlands) October 5, 2018
Writing down as many trans artists names as possible right now... #ARLISANZ2018
— Anne Rowlands (@Anne_Rowlands) October 5, 2018
Vivienne Binns’ iconic work, Vag dens, was first seen in 1966 at the (family-friendly) Waratah Festival in Hyde Park. 😲 #arlisanz2018
— The Librarian Idol (@lib_idol) October 5, 2018
And on the high note of Eric's presentation, we broke for lunch.Thanks for having me sneak in! Hopefully see some of you again soon #ARLISANZ2018
— Anne Rowlands (@Anne_Rowlands) October 5, 2018
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